Eye on the Indies: A Look at Indie Authors and their Publishers By Lanie Tankard, Indie Book Review Editor Phantoms by Christian Kiefer (New York: Liveright Publishing, April 9, 2019). 288 pages; $26.95, hardcover ISBN 9780871404817. “These faces in the mirrors Are but the shadows and phantoms of myself….” —Henry Wadsworth Longfellow, The Masque of Pandora…
Author: WTP
Things I Carry Into the World
“Like thunderclouds, I don’t stray far from earthly things” Video by Jamil McGinnis and Pat Heywood Inspired by the work of four New York City poets, THINGS I CARRY INTO THE WORLD is an abstract meditation on the body, the feminine, the everyday realities of being young and black, and the fragile relationship between the…
The Representational vs. the Abstract
A WTP Website Review By Richard Malinsky, Arts Editor Marie E. Saint-Cyr is a Haitian-American painter based in Suffolk, NY, who migrated to the United States from Haiti when she was eight years old. She studied at the Fashion Institute of Technology, New York, and a summer program at the Lorenzo de’ Medici Institute in…
Jean Poythress Koon
Depression See Jean Poythress Koon’s work in WTP Vol. VII #5 pine needles, copper foil, straight pins, watch band, watche, hasp, faucet handle 8” x 4” “I live at the edge of a salt marsh and this fragile environment has become my muse. It provides salt marsh hay for coiling, and shells for bases, but…
Susan Cantrick
Paintings Made from Digital Montages Interview by Jennifer Nelson, WTP Feature Writer Susan Cantrick is an American painter who lives and works in Paris, France. In 1997, due to chronic tendonitis, she left her career as a violinist to pursue visual arts studies in Paris for several years. During that time, she had her first…
Liz Dexheimer
“I’ve always been interested in suggesting a sense of place, the timelessness of the natural landscape.” Interview by Jennifer Nelson, WTP Feature Writer Liz Dexheimer’s paintings and works on paper have been exhibited widely in the Northeast and Southeast. Her work, including commissioned pieces, is in numerous private and corporate collections, including the corporate headquarters…
Helen Cantrell
An Artist’s Journey By Richard Malinsky, Arts Editor I have long been an admirer of Helen Cantrell’s gestural abstract paintings, and was delighted to be able to spend some time with her exploring her early beginnings, influences, and her recent successes. Helen knew she wanted to be an artist early in her childhood growing up…
Maya Kuvaja
Mixed Media Inspired by Magical Realism By Richard Malinsky, Arts Editor Inspired by the literary movement Magical Realism, Maya Kuvaja’s storytelling paintings explore the way we perceive and construct our own realities. It’s no wonder she includes in her artist statement a quote by Gabriel García Márquez: “What matters in life is not what happens…
Catherine Eaton Skinner
See Skinner’s work in WTP Vol. VII #4 Inside the Studio offers a behind-the scenes peek into the work environments of WTP artists, as well as insight into their creative process within these resonate spaces. By Jennifer Nelson, WTP Feature Writer Catherine Eaton Skinner feels fortunate to have two extraordinary studios to create her mixed-media works.…
The Paper Wall
“Besides keeping out the unwanted, it imprisons those inside.” Video by Francesca Fini “THE PAPER WALL is a pictorial-performative installation that will develop during daily sessions for a whole week. The installation begins with the construction of a symbolic wall, made by assembling cardboard modules found by chance in the network, whose sinister shape—which would…
Reflections by Tillie Olsen
“I’ve never had, except once, that happy time when something writes itself…” Transcribed by DeWitt Henry, Prose Editor These reflections were from a recording of Tillie Olsen’s reading at Emerson College, MA, March 23, 1974. I first read Tillie Olsen as part of editing Ploughshares in the 1970s. Sam Lawrence, whom I had contacted as…
Susan Cantrick
sbc 197 See Susan Cantrick’s work in WTP Vol. VII #4 mixed media collage on paper 11” x 15” “Like its mute cousin music, painting has the capacity to project great clarity without words—a clarity distinct from certitude. In search of the intelligibility that is possible within painting’s sub-linguistic space, I’ve experimented freely with diverse…