From Accident to Environmental Art Movement by Emily Jaeger, Features Editor According to Lisa Levasseur, the founder of PaletteArt, the movement began as a fruitful accident: “When I painted my first acrylic painting, I was mixing too much paint and it would dry before I could use it all. So, I chipped it off my…
Tag: visual arts
Book Review: Tula Telfair
Invented Landscapes by Richard Malinsky Tula Telfair: Invented Landscapes; Abrams; October 18, 2016; U.S.; 160 pages; $60 Hardcover Tula Telfair: Invented Landscapes presents a wide range of Telfair’s major paintings, at once both intimate and grandiose. Its focus is on the power of the landscape and fragility of nature informed by her childhood divided between four continents, and…
Latest Read: Encaustic Art in the Twenty-First Century
An Exercise in Range by Richard Malinsky, Arts Editor Encaustic Art in the Twenty-First Century By Anne Lee and E. Ashley Rooney. Schiffer Publishing, Ltd., 2016. $59.99. The precise temperature regulation of the wax in the honeycomb is the same basic principle applied to the encaustics medium. With the addition of damar resin and color pigments, today’s artists can…
Lubov Lemkovitch: The Architecture of Emotion
Lubov Lemkovitch on Portraiture by Emily Jaeger, Features Editor In her portraits appearing in this month’s issue, Vol. IV #9, Lubov Lemkovitch portrays up-close the subtle strength and interior emotions of her female subjects. Trained as an artist in Kishinev and Israel, Lemkovitch has exhibited her work internationally, including exhibiting at Art About, an Israeli…
WTP Artist: Eleen Lin
“I was inspired to retell the tale of Moby Dick through a different cultural lens.” by Emily Jaeger, Features Editor Born in Taiwan and raised in Thailand with a Western education, Eleen Lin is a true “third culture kid.” Lin studied at Slade School of Fine Art, UK (BA 2005), and Yale School of Art (MFA…
Daniel Ketelhut: My Process
The Creation of “Hope in a Hopeless Place” By Daniel Ketelhut See his work in Vol. IV #9 Like most artists, my process has changed over the years and continues to evolve. With the help of a few photos, I’m going to talk about the way I currently create my paintings. That said, the process detailed below…
Art Spotlight: Lorna Bieber
Manipulating Found Photographs See her work in Vol. IV #9 (Full work 9′ x 5′; individual prints 17″ x 11″) Bieber manipulates found photographs through an elaborate process of photocopying, enlarging, painting, and collaging. The result is a series of grainy, black and white images of trees, flowers, animals, houses, and the occasional human figure,…
Exhibition Review: Ten Photographers Envision a Museum
Reimagining a Historical Place by Richard Malinsky, Arts Editor In Place: Contemporary Photographers Envision a Museum at the Florence Griswold House in Old Lyme, Connecticut, is an exhibition of a select group of photographers tasked with creating works that address the historic site’s landscape, collections, and story. The place has proved an inspiration to artists for…
Unique Mark-Making
Artist Barbara van Buskirk Demonstrates Monotype Printing Video Courtesy of Donald Kolberg This is a demonstration of the art of monotype as done by artist Barbara van Buskirk in Albuquerque. Visit her website.
Art Spotlight: Virginia Vilchis
Still Standing See her work in Vol. IV #8 Acrylic / mixed media 60″ x 48″ My art reflects a distinct quality of lines and shapes. I treat my forms, shapes, colors, and space so as not to emphasize realism but rather an extraordinary visual experience. The changes that occur everyday in the world also…
Featured Bookmarks: The Arts
Link Highlights For Artists and Art Enthusiasts By Donald Kolberg, Contributing Editor The Public Domain Review is “an online journal and not-for-profit project dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas.” Focusing on works that have fallen into the public domain, this site alternates between collections, essays, and a…
Jeff Alu: Single Image or Series
Debating Photographic Series by Jeff Alu, see his work in Vol. IV #8 I’ve often pondered the difference between shooting a series of images and a single image. Does taking a series of photos heighten the meaning and comprehension of what a photographer is trying to say? It would seem that this is the case, especially…